Sony FDR-AX700 4K Camcorder Sony FDR-AX700 4K CamcorderSony FDR-AX700 4K CamcorderSony FDR-AX700 4K CamcorderSony FDR-AX700 4K CamcorderSony FDR-AX700 4K CamcorderSony FDR-AX700 4K Camcorder

Sony FDR-AX700 4K Camcorder

SKU: 423540
MPN: FDR-AX700/B
BRAND: Sony
CONDITION: New

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Availability: In Stock
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$1,739.00
$1,898.00
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4K and HDR are now available in an easy-to-use camcorder format with the Sony FDR-AX700 4K Camcorder. Using the HLG format, HDR (High Dynamic Range) images can be recorded and processed for playback on HDR screens. Compared to SDR (Standard Dynamic Range) formats, HDR offers increased color and contrast representation that is immediately noticeable. Dual SD card slots, an LCD and viewfinder, manual controls, a 12x zoom range, and a comfortable form factor make the AX700 an all-around camera for anything from family events to professional filmmaking and videography.

 

4K recording has made focusing more difficult. Missed focus becomes exponentially more obvious with the increase in resolution over HD formats. Sony's phase detection autofocus uses 273 points to lock onto and track subjects as they move through the frame. Focus speed and tracking can be adjusted to fit your project. So, whether you're tracking fast-moving vehicles or actors moving through the frame, the AX700 will be able to keep up and maintain sharp focus.

For more advanced users, Sony included S-Log2 and S-Log3 picture profiles alongside their S-Gamut color space. Enabling this functionality grants you greater control over the final image through post-production processing.

Recording

4K HDR Video Recording

Recording in HDR using Hybrid-Log Gamma (HLG) enables you to record and display wider ranges of exposure and color than normally available in SDR media. Without extra processing, HDR recordings can be enjoyed by simply connecting the camera to an HLG-compatible Sony TV using a USB cable.

XAVC S Recording Format

The XAVC S format is used for 4K and HD recording. Bit rates of up to 100 Mb/s for 4K, and 50 Mb/s for Full HD recording, ensure detailed video with minimal compression noise. 100 Mb/s recording is also available at 120 fps in Full HD, so high-quality slow-motion sequences can be created during post-processing.

Proxy Recording

Speed up your editing and delivery with the option of onboard proxy recording. Lower-resolution proxy files are captured alongside full-resolution 4K video, for easy sharing and online collaboration, as well as more efficient editing on under-powered computers. When you're ready, simply substitute the proxy files with the full-resolution ones to finalize your video.

Slow and Quick Motion

Enjoy creative ways to express time's passage. The Super Slow Motion and Slow & Quick Motion let you capture motion in the blink of an eye, at up to 960 fps in NTSC or 1000 fps in PAL (40x super slow motion), or in compelling time-lapse sequences, captured at 1 fps for playback at up to 60x natural speed.

S-Gamut and S-Log Picture Profiles

S-Gamut and S-Log shooting gives you more flexibility to custom-tailor your images by performing color grading in post-production. S-Log3 and S-Log2 gamma provide wide dynamic range shooting (1300%), to minimize blown highlights and crushed blacks.

 

While exposure may be more difficult to judge off the LCD and EVF, exposure zebras are available, indicating areas of overexposure using clear stripes on the image preview. An adjustable level lets you accurately dial in the ideal exposure for everything from skin tones to sunlit landscapes.

Timecode / User Bit

For professional workflows and multicamera editing requirements, standard SMPTE Timecode and User Bit can be included with your recordings. With embedded timecode, synchronizing multiple cameras for editing is incredibly simple, while custom eight-digit User Bit codes allow fast indexing and media management on larger projects.

Phase-Detection Autofocus

Wide Coverage

Up to 273 phase-detection focus points cover over 80% of the entire image area. This makes autofocus coverage widespread and dense enough to quickly capture subjects, such as fast-moving ones that are otherwise difficult to focus on.

Focus Tracking

Easily keep track of your focus areas with phase-detection AF frames around in-focus subjects. Switching between focus points is seamless as well, with a simple touch on the screen to select a new focus target.

 

Five levels of AF Subject Switching Sensitivity are available. The Responsive setting allows the camera to switch quickly among multiple subjects or focus points, while the Locked-On setting favors a single subject.

Adjustable Tracking Depth Range

Select an AF tracking depth configuration within a range from "1" to "5"—from the narrowest setting for relatively little movement, to the widest setting for relatively dynamic movement. This lets you take advantage of specific ways to track subjects according to your expressive intentions, subject movement, and shooting conditions.

Features

Monitoring

The OLED electronic viewfinder allows for confident compositions. Its wide contrast and color reproduction help accurately represent the image to be recorded.

 

The 3.5" touchscreen LCD panel provides a convenient way to monitor your compositions. Not only can the touch functionality be used for menu navigation, but focus points can be selected as well.

Manual Lens Ring

Using the switch on the side, the lens ring facilitates smooth and precise manual adjustment of either focus or zoom.

Manual Dial

The manual dial and buttons on the side of the body allow for swift, easy adjustment of iris (aperture), gain/ISO, and shutter speed.

Built-In ND Filters

Choose among Clear, 1/4, 1/16 and 1/64 Neutral Density filters to adjust the light level entering the lens. This gives video makers the freedom to precisely control shutter speed and aperture for greater creative possibilities. Utilize the ND filters outdoors to open up the lens and create out-of-focus backgrounds.

Dual Memory Card Slots

Dual slots for SD card and SD card/Memory Stick support, with both simultaneous and relay recording. Use relay mode where long recording sessions need to span across both cards; for critical recordings, the simultaneous recording mode provides a backup for improved flexibility in client and production workflows.

LANC Port

The built-in LANC port allows connection to a LANC-compatible accessory, so you can control the camcorder remotely.

4K HDMI Output

Send clean 4K video to external monitors and even off-board recorders, or simply enjoy your recordings on a TV, with the HDMI output. The full-size (Type-A) HDMI terminal provides a more secure connection than commonly-found Mini or micro-HDMI terminals.

 
Camera
Sensor 1-Chip 1" CMOS
Effective Pixels 14.2 MP (16:9 Video)
14.2 MP (16:9 Photo)
12 MP (3:2 Photo)
Optics
Focal Length 9.3 to 111.6mm
35mm-Equivalent Focal Length 29 to 348 at 16:9 (Video/Photo)
32.8 to 393.6 at 3:2 (Photo)
Maximum Aperture f/2.8 - f/4.5
Minimum Focusing Distance 0.4" / 1.0 cm
Zoom Optical: 12x
Clear Image Zoom: 18x 4K
Clear Image Zoom: 24x (in HD)
Digital: 192x
Filter Size 62 mm
Built-In ND Filters Clear, 1/4, 1/16, 1/64
Recording
System NTSC/PAL
Recording Media 1 x Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick XC-HG Duo, SD/SDHC/SDXC
Video Format 3840 x 2160 at 24/25/30 fps (100, 60 Mb/s XAVC S)
1920 x 1080p at 100/120 fps (100, 60 Mb/s XAVC S)
1920 x 1080p at 24/25/30/50/60 fps (50, 16 Mb/s XAVC S)
1280 x 720 at 24/25/30/50/60 fps (9 Mb/s XAVC S)
640 x 360 at 24/25/30/50/60 fps (3 Mb/s XAVC S)
1920 x 1080i at 50/60 fps (24, 17 Mb/s AVCHD)
1440 x 1080i at 50/60 fps (5 Mb/s AVCHD)
Aspect Ratio 16:9
Still Image Resolution JPEG: 14.2 Megapixel, 5042 x 2824 (16:9)
JPEG: 12 Megapixel, 4240 x 2824 (3:2)
Channels 2.0-Channel Stereo
Audio Format AAC-LC
Dolby Digital 2ch
Dolby Digital AC3
LPCM
Display
Display Type LCD
Touchscreen Yes
Screen Size 3.5"
Screen Resolution 1,555,000 Dots
Aspect Ratio 16:9
Rotation Opening Angle: 90°
Turning Angle: 270°
EVF
Screen Size .39"
EVF Resolution 2,359,296 Dots
Exposure Control
Shutter Speed 1/8 - 1/10000 Second (Video)
Exposure Metering Multi, Spot
Shooting Modes Auto
M (Manual)
Remote Control RMT-835 (Included)
Features
Image Stabilization Optical
Scene Modes Preset: Yes
White Balance Modes Auto
Incandescent
Manual
Onepush
Outdoors
Creative Effects Yes
Built-In Mic Yes
Built-In Speaker Yes
Built-In Light/Flash Light - No
Flash - No
Wi-Fi Yes, Wi-Fi 4 (802.11n)
Accessory Shoe 1 x Multi Interface Shoe
Input/Output Connectors
Inputs 1 x 1/8" / 3.5 mm Stereo Microphone
1 x LANC Terminal
Outputs 1 x Composite Video (Requires separately available cable)
1 x 1/8" / 3.5 mm Stereo Headphone
1 x HDMI Type A
Microphone Input Yes
Headphone Jack Yes
General
Battery Rechargeable Lithium-Ion Battery Pack
Charging Method AC Adapter
Charging Time 2.8 Hours
Power Consumption In LCD Operation: 5.1 W
In Viewfinder Operation: 4.8 W
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